Capture the switch, map the footage, and hand post a timeline they can actually start from.
1
Connect your production
Set up your switcher, recorders, and timecode source before the show. Pixelrush listens to the live cut while the crew works as usual.
2
Map clips after the show
Assign each camera source to its recorded file so every cut lines up with your footage.
3
Import your timeline
Export the live cut as an EDL or Multicam XML and open it in DaVinci Resolve, Premiere Pro, or Final Cut Pro.
Always listening
While connected to your switcher, Pixelrush captures source changes and timecode snapshots in the background, so useful cuts are not lost.


Editor-ready exports
Export an EDL or Multicam XML that lines up with your recorded footage and gives post a real starting point.
Recorder-aware sessions
Monitor supported recorders, see recorder status, and let sessions start or stop when recorders roll.
Live sessions
Start a session before the show and watch the cut list build in real time as your director switches sources.
Multiple video buses
Capture more than one program cut at the same time, useful for productions with separate in-room and online feeds.
Session backfill
Build a session after the fact from captured source changes, useful for missed starts or unexpected post needs.
Session retargeting
Change a session’s video bus or timecode source after capture without rebuilding or losing the cut list.
EDL import
Bring in an existing EDL to clean up clip names, adjust timing, or convert it into another post format.
Unified recorder control
Start and stop supported recorders together from Pixelrush so recording stays aligned across production.
Clip mapping
Match source names to recorded footage before export, with drag-and-drop assignment for faster prep.
DaVinci Resolve support
Import Pixelrush EDL or Multicam XML exports into Resolve as a ready-to-refine timeline with your media mapped.
Adobe Premiere Pro support
Create a Premiere Pro sequence from a standard EDL, giving editors the live cut as a starting point for their project.
Final Cut Pro support
Send a Multicam XML into Final Cut Pro with camera angles and the program edit already assembled from the live switch.
Blackmagic ATEM support
Capture timecode, source changes, and input names from supported ATEM switchers.
Blackmagic HyperDeck support
Monitor supported HyperDeck recorders, view recording state, and control recording from Pixelrush during a session.
Tentacle Sync timecode
Use supported Tentacle Sync devices as a timecode source through LTC or MIDI Timecode connections.
Atomos UltraSync ONE timecode
Use an UltraSync ONE as a timecode source through LTC when your production relies on external sync for cameras.
LTC timecode
Read standards-compliant LTC through a connected audio interface for frame-aligned cut timing during the live show.
MIDI timecode
Read standards-compliant MIDI Timecode through a connected device when MTC is the best fit for your setup.
CutList Pro unlocks live cut capture for professional productions with unlimited inputs on one computer.
You can also download Pixelrush for free to use the post-production utilities and explore the live capture demo.
CutList Pro
$995
For venues, events, and professional productions that need a reliable live cut to post-production workflow. Internet required for activation; paid features work offline for up to 30 days.
✓ Live cut capture with unlimited inputs
✓ EDL and Multicam XML export
✓ Free updates for your purchased major version
✓ Single activation, transferable between machines
Buy Pro
Import EDLs to remap clips, apply frame offsets, and convert to Multicam XML. Then explore the live capture demo.
Download for macOS




